finished! I demand an explanation! the style of Condorito was the expression of all who saw the end of "40 something" TVN night the TV series, this black comedy that went fast, fast, entertaining, recreation to much stress its predecessors, which he painted for good, but it was eternal and ended up deflating in full, up to this final tasteless. Nearly eight months on the air was this production, we made clear that such extensive recreation exhausted, the premise from the start was not good, especially when many thought the title would be the continuation of "The 30 " but was far from it, despite being the creators. started excellently, in the winter months a light comedy is appreciated, with humor of situations and issues quotas, but the plots became more dense and thus the spirit in which we began to follow the TV series was changed and becoming a tedious, never ended and the issues revolved same.
Among the standouts in the cast is Francisco Melo, who seemed to show a different facet of the same character and is not always your fault that the typecasting, but I think we should be wary, little by little is cannibalizing his image, despite its Diego Elizalde was delightfully saucy , which transformed it into a dual being, hateful and charming. Paola Volpato continues to surprise with their professionalism, Loreto Estévez kept interest by far one of the major highlights of this soap opera; Francisca Imboden created Rosario Elizalde cuica mixing roles and crazy obsessed, their specialties and the result was excellent, as well as I said before, this actress handles very well the rhythms of comedy Francisco Perez Bannen Marcos Elizalde conjugated in a cartoon and also be flesh and blood, a figure of comedy and drama, a character with real stories and exceptional character as real or not so fictional, but believable and appreciated 100% since was the manager of several moments of humor and drama, not only by the situations, but by the strong performance; Matías Oviedo achieved with an act Miguel Elizalde less distant than his predecessors roles. Noteworthy were Monica Godoy and Nicholas Braun, who through Susana Jerez and Christopher Cuesta respectively, were attractive and compelling.
A final as we saw it was unfortunate caricature, rushed, resulting in many cases, but after so many months of waiting, an outcome without emotion, predictable and flat is disappointing, showing a creative fatigue that leaves a taste bitter and the idea that we lost el tiempo al ver esta historia reiterativa, la cual pudo haber terminado de la misma manera hace mucho tiempo atrás.
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